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History Of Indian Art According to the new syllabus framed by CBSE Delhi for Class XII 2025

Unit 1

Art An Introduction

                     Introduction

Art is something that stimulates an individual’s thoughts, emotion, beliefs, or idea through the sense.

Leonardo da Vinci stated that “art is the queen of all sciences communicating knowledge to all the generations of the world”.

Tolstoy wrote ‘To evoke in oneself a feeling one has experienced, and then, by means of movements, lines, colours, sounds or forms expressed in words, so to transmit that feeling — this is the activity of art,’

Michelangelo stated that ‘the true work of art is but a shadow of the divine perfection’.

Art is the expression of the universal through the individual. Rabindranath Tagore

‘Art is the activity by which a person, having experienced an emotion, intentionally transmits it to others’ Leo Tolstoy

The term “art” is related to the Latin word “ars” meaning, art, skill or craft.

Art can be thought of as a symbol of what it means to be human, manifested in physical form for others to see and interpret it. It can serve as a symbol for something that is tangible, or for a thought, an emotion, a feeling or a concept. Through peaceful means, it can convey the free spectrum of the human experience.

There are different forms of art like painting, sculpture, literature, architecture, music, dance, theatre, photography, films etc.

Whatever form of art we see, its main characteristics is that it is pleasing to the senses.

The oldest documented form of art is visual arts, that uses any medium to represent the artist’s idea, emotion sand imagination.

Visual art, like paintings, sculptures and architecture have evolved with time

and different periods saw the emergence of different art movements.

Some of the famous art movements and styles are impressionism, cubism, surrealism, expressionism, favism etc.

     Six limbs of Indian Paintings (Shadangas)

“Roopabhedah pramanani bhava-lavanya-yojanam | Sadrishyam varnikabhangam iti chitram shadakam ||”

Shadanga

The word shadanga consists of two words, ‘shad’ which means ‘six’ and ‘anga’

which means ‘part’.

Shadangas are said to be six limbs, or canons of art on which the whole art of painting depends.

The limbs through which, art gets life and stand completely as a creative creation by an Artist.

Shadanga is one of the rule of art of paintings written in the ancient period.

If a painting with any subject is a body so these shadangas are the body parts of it and if the painting lacks any of the parts of shadangas, it is considered as an incomplete, printless and meaningless creation.

The six limbs of art are

1.  Roopbheda — Knowledge of looks and appearance, knowledge or distinction of form.

2.  Pramana Proportion and measurement

3.  Bhava Expression of sentiments

4.   Lavanya-yojana — Aesthetic representation or the infusion of emotion and grace.

5.  Sadrishyam Resemblance or similarity

6.  Varnika-bhangam Knowledge of colour scheme.

It is important that artisans while working must keep in mind the application of these six limbs of art. These six canons have a vital place in art and aesthetics because they increase beauty, grace and quality of the artefacts.

The shadanga is an inevitable part of every great Indian masterpiece from the ancient paintings of Ajanta to those created by Raja Ravi Verma, and Husain, you will observe that every notable artist has silently put to use all the six principles.

                     1.    Roopbheda

‘Roopa’ means the outer form or appearance of the subject. ‘Bheda’, on the other hand, means difference. In other words, to create a painting, an artist needs to have a sound knowledge about the different forms that exist. He has to know how a form of life differs from a form of death. Both have their own characteristic features and sublimity.

These are several types of forms but they are different from each other due to their chief characteristics. The forms can be perceived by eye and soul. However, they can be judged by their individuality. First of all it is the eye that sees the Roopa but after that it is introduced to the soul. Roop is an intrinsic natural beauty of visual appearance and it is brought out by skilful manipulation of line or modulation of colour which effects Bheda, differentiation of form.

                    2.    Pramana

Pramana is a Sanskrit word that means ‘source of right knowledge.’ Pramana means correct knowledge of the proportion of different forms. Pramana gives us strong theory of proportion and measurement with logical calculation. Pramana means measure by which one obtains accurate and valid knowledge about the world. A basic particular size and proportion of any character is art.

It helps in maintaining a sense of harmony, balance and a sense of proportion within the figures and also in its relation to other figures, and to the painting as a whole. It helps us to understand the important and less important parts and objects in subject of painting.

                     3.    Bhava

‘Bhava’ means an emotion, a feeling, an intention, an impression, or an Idea. This aspect of art is depicted in the form of feelings expressed by the subject. Beauty and grace can not be imparted to the image by any cut and dried rule. It must come from the heart of the artist and the sculptor. The expression of sentiments has been taken as one of the most important, things in painting.

The ‘Bhava’ is an expression of inner sensation which comes naturally through visible representation of object. Bhava are of two types:

(i) Covert i.e., the hidden emotion (ii) Overt i.e., the revealed or visible emotions.

We can easily see the overt expression of sentiments by our eyes, but only heart can feel its covert form.

In Indian theory of art ‘Bhava’ is an essential aspect of the artefacts.

For instance, Ajanta painting became famous in the world only because of the beauty of expression I.e. Bhava in them.

                    4.    Lavanya-yojana

Lavanya-yojana enhance the beauty and grace of the artefacts. The painting will look monotonous if beauty or grace is not there. Shri Avanindra Nath Tagore has elaborated the Lavanya-yojanam in his six limbs of Indian painting saying that “Bhava is the expression of inner beauty and lavanya is the making manifest of the outer beauty by adding charm to it. Lavanya-yojanam gives gleam to beauty.”

It is an extremely essential element of art.

Its importance can be illustrated through the example of a meal rich in all flavours and spices except the salt. Just as the curry loses its charm without the salt, so does a painting without lavanya.

An artist cannot justify a character unless the grace is achieved, therefore, it is the Lavanya that enables any artist to show the beauty that resides not in appearance but essence.

                    5.    Sadrishyam

Sadrishyam means the recognition of an actual form and creating it exactly same or similar to the real form or idea, i.e., a peacock painting should actually look like a painting of a peacock, and not like that of any other bird or animal.

An artist strives to achieve Sadrishyam in his creation. Sometimes he derives it from the forms, sometimes from the attributes and sometimes from the virtues.

Poets often compare woman’s locks of hair with a snake or a beautiful girl called ‘moon faced’, eyes are compared with those of a deer. All these similies work well in literature, but an artist cannot draw snakes instead of a lady’s tresses or a moon instead of a girl’s face. In art, the artist has to use his skill and insight so that the viewer can feel the similitude.

                    6.    Varnika-Bhangam

The combination of two words Varnika and Bhanga is called Varnika Bhanga which conveys the knowledge of colour scheme. It means the use of colour in an artistic style for creating an aesthetic sense. It is said to be an artistic manner of using art materials such as brush, colours etc. This principle focuses on the way strokes are applied to a canvas, and the knowledge of the artist about the different colours. There should be an appropriate colour scheme to express the idea and atmosphere in a painting. Opposite or wrong colours should not be used otherwise the meaning of the painting will change. For this, the painter, should be versatile in the application of colour. Each and every colour has its own intensity and identity which reflect the prominent mood of human behaviour.

Every painter should have good knowledge about colour and the ways to handle it. Artist should have the knowledge of what colour scheme can make a definite atmosphere lively. In the hands of a prominent artist, even ordinary colours pronounce extraordinary because beauty is not in the colours, it is because of the way they are used in the painting.

 

Element of Art

Element of art are stylistic features that are included within an art piece to help an artist communicate. Each of the elements may also be used individually to stress their own particular character in an Artwork. The elements of art are described as follow:

                    1.    Point

A point is the first and smallest element of visual art upon which all other elements of art are based. Point serves as the focus of something visual, and therefore draws attention. Points are found in all works of art. Point can simply be the focus of attention, which can be emphasised to become a focal point. Point can also appear as a series of points that lead the eye in a particular direction.

                    2.    Line

A line is a dot that went for a walk. Paul Klee

A series of points connected by a straight path is defined as a line. A line has no thickness and can extend indefinitely in both directions. Line is an element which can control viewer’s eye.

It can describe edge. It can indicate form as well as movement. It can also indicate value and a light source in drawing.

A line can be of different types:

Vertical Line

Horizontal Line Digonal Line Zig-zag Line Curved Line

It is one of the most crucial elements, as everything begins with just a simple dot in space, that transforms into lines and then drawings. Lines are everywhere!

There are a variety of different lines in art. Every line protrude different emotions. organic lines can create a sense of flowing movement, while geometric line can create a rigid feel or no movement. Curvy, wavy lines create a mood of peacefulness, while vertical lines depict strong and hard emotions. Horizontal line are more peaceful than vertical lines. Diagonal lines create a sense of motion.

                    3.    Shape and Form

A shape is an enclosed space, a bounded two-dimensional form that has both length and width. Shapes are the building blocks that artists use to create images on canvas and on our minds. Form can be described as a 3 dimensional object which occupies space. In other words form is a shape that has value and mass. square is a shape whereas a cube is a form because it has both volume and mass. Similarly, a triangle is a shape and a cone is a form.



                                                                                      Shape                           Foram

                      1.    Colour







Colour is the element of art that is produced when light striking an object, is reflected back to the eye. In art, colour plays a very important role everything can be seen only because of its colour. Colour is a sensation, a human reaction to a hue arising in part from the optic nerve, and in part from education and exposure to colour, and perhaps in the largest part simply from the human.


CHARACTERISTICS OF COLOURS

                    Primary Colours

The primary colours are red, yellow and blue. They are called primary because, no two other colours can be mixed to crate a primary colour. They can only be created through the use of natural pigments.





All other colours found on the colour wheel can be created by mixing primary colours together.

                    Secondary Colours

The secondary colours are orange, green and purple. These are created by mixing equal, part of two primary colours.

Text Box: yellow	+ blue	= green  
red	+ blue	= violet (purple)
red	+ yellow	= orange


                    Tertiary Colours

They are created by mixing equal parts of a secondary colour and a primary colour together. There are six tertiary colours.

red-purple, red-orange, blue-green, yellow-green, blue-purple, yellow-orange

                    Colour Schemes

Colour schemes are ways in which colours are put together in an intelligent way.


 

 

                    Monochromatic

Here, mono means one and chroma means colour, therefore, a monochromatic colour scheme is said to be of one colour and it’s shaded and tints.

                    Analogous Colours

These are the colours that are next to each other on the colour wheel. For instance, red, red-orange, orange, red-violet etc.

                    Complimentary  Colours

The colours which are located opposite one another on the colour wheel. For example: Red and Green, Blue and Orange etc.

                    Warm Colours

The groups of colours in the colour wheel that is associated with the sun, warmth and fire.

These colours are called warm colours as they evoke warm psychological feelings in people.

Shades of yellow, red and orange are known as warm colours.

                    Cool Colours

The colours which are associated with water, sky and coolness are considered cool colours.

                       Hue

A hue refers to the dominant colour family of the specific colour we are looking at. White, Black and Green are never referred to as hue. Hue refers to the origin of the colour we see. It is the property of light by which the colour of an object is classified as red, blue, green, or yellow in reference to the spectrum.

                       Tint

A tint is when white is added to any colour to create a lighter version of the colour. An example of a tint is pink. Pink is a tint created by adding white to red.

                       Tone

Tone is said to be the relative scale of light to dark values in an image. One colour can have an almost infinite number of different tones. it is important in creating depth and solidity in any art work.

 

                      Intensity

It is also called chroma or saturation it refers to the brightness of a colour. Any colour said to be at full intensity when not mixed with black or white. Therefore, intensity is the degree of purity of a hue or the brightness or dullness of a colour.

 

                    5.    Space

Space is one of the seven elements of an artwork. It is the boundary inside the frame within which the subjects in the art are created. It can also be referred to as the area inside, outside and between the subject of the artwork. Positive space is where the shape exists and the area inside the shape and negative space is the area around and between positive spaces.


                    6.    Texture

Texture refers to the surface quality in a work of art. Textures are associated with the way things look or feel. Everything has some type of texture.

Some things feel just as they appear, it is called real or actual texture.

Some things look like they are rough but are actually smooth or vice-versa, this is called visual or implied texture.


Rock                             Wood                          Fabric                           Brick


 

Principles of Art

The principles of art and design are the foundation of the language we use to talk about art.

The principles of art represent how the artist uses the elements of art to create an effect and to help convey the artists intent.

The principles of art are as follows:

                    1.    Balance

Balance refers to the visual weight of the elements of art (line, form, shape, texture etc.) of the composition. It is a sense that the painting feels stable and “feels right”. Imbalance causes a feeling of discomfort in the viewer.

Balance can be achieved in three different ways:

Symmetrical or formal balance


Symmetric                Asymmetric



It is a form of balance in which the parts of an image are organised in a way that one side mirrors the other.

Asymmetrical or informal balance

In this form of balance, one side of a composition does not reflect the design of the other side.

Radial balance

It is a form of balance where drawing extends from the centre of a circle. in this the elements are equally spaced around a central point.

                    2.    Emphasis / Dominance

Emphasis is when the artist creates an area of the composition that is visually dominant and commands the viewer’s attention. It happens when the artist creates the elements of art in such a way that the attention is drawn to a particular area and that particular area tend to dominate the other parts of the artwork.


In the pictures shown above, the artist has used different elements of art to create the desired emphasis.

                    3.    Movement / Rhythm

Rhythm is the principle of design that suggests movement or action. Rhythm is usually achieved through repetition of lines, shape, colour and more. It creates a visual tempo in artworks and provides a path for the viewer’s eye to follow.

Movement is said to be the result of using the elements of art such that they move the viewer’s eye around and within the image.

                    4.    Proportion


Movement


Proportion refers to the dimensions of a composition and relationship between height, width and depth. The use of proportion affects how realistic or stylised an artwork is. When drawing or painting realistically, proportion is important. If the proportions are incorrect, then the resulting image will look less realistic or abstracted.

For example:

If you’re painting a portrait of a dog and a person, the dog should be at the correct scale in relation to the person.


Proportion

5.    Variety

Variety is the principle of art that adds interest to an artwork. It is the use of different visual elements throughout a work. Variety is about varying elements and objects in the artwork, to avoid making it boring. When an artist places different visual elements next to one another, he is said to be using variety.

Variety


 

 

6.    Harmony / Unity

Unity is an artwork creates a sense of harmony and wholeness. An artists achieve unity in an artwork by using similar elements within the composition and placing them in a way that bring them all together.

For example:

A working car gives the sense of unity. When all the parts of a car are working together, it moves. No part of the car when separated from the whole is capable of functioning. When the car functions as it should, the parts are said to be working in unity.


Harmony


 

 

 

1.  Introduction to Art

A creative activity that expresses imaginative or technical skill.

 

2.  Types of Art

  Paitning • Sculpture • Literature • Architecture • Cinema • Music • Graphics • Dance • Theater

 

3.  Six Limbs of Art

Roopbheda Knowledge of loots and appearance.

Pramana Accuracy and precision of measurement.

Bhava The feeling or intention.

Lavanya-Yojana Artistic representation.

Sadrishya Resemblance

Varnikabhanga Correct use of brush and colours.

 


POWER BOOSTER


1. Element of Visual Art

1.   Point

2.   Line

3.   Shape and forms

Shape is 2 dimensional whereas form is 3-dimensional squares, circles and triangles are known as shapes, while balls, cube and cones are forms.

4.   Space

Positive space Area within an object.

Negative space Area around the object.

5.   Texture

6.   Colour

 

Principal of Art

Balance

Emphasis

Movement

Proportion

Variety

Harmony


 

Text Box: Multiple Choice Questions


Choose The Suitable Answer

1.         Which of the following is the meaning Pramana?

(a)   Use of colours                                             (b) Form or shape

(c) Size and Proportion                                (d) Appearance

2.         How many shadangas or canons or art are considered in Indian art?

(a) Ten                              (b) Six                         (c) Five                                        (d) Seven

3.         Which element of art can extend indefinitely in both directions?

(a) Line                             (b) Point                    (c) Shape                                    (d) Texture

4.         Which colour is formed when Yellow and Blue are mixed together?

(a) Purple                        (b) Red                       (c) Orange                                  (d) Green

5.         Which colour is complimentary to Red in a colour wheel?

(a) Blue                             (b) Green                   (c) Yellow                                  (d) Orange

6.         3-dimensional shapes are called ……….

(a) Forms                         (b) Space                   (c) Rhythm                                (d) Hue

7.         Which of the following is true?

(a)   Emphasis, Rhythm and Proportion are canons of art

(b)   Emphasis, Rhythm and Proportion are principles of art

(c)   Line, form and space are principles of art

(d)   Shape, Form and texture are limbs of art

 

ANSWER 1(c), 2(b), 3(a), 4(d), 5(b), 6(a)

Text Box: Short Answer Type Questions


(Answer in about 30 words)

8.         Write a short note on following:

(a)   Roop bheda                                                   (b) Lavanya Yojana

(c) Varnika Bhangam                                      (d) Shape and form

(e) Emphasis                                                         (f) Balance


 

 

(Answer in about 100 words)

9.         What are complimentary colours?

10.    Describe lines and effects of lines.

11.    Explain the difference between shapes and forms.

 

Text Box: Long Answer Type Questions


(Answer in about 200 words)

12.  Describe the limbs or canons of art.

13.  Describe colour and its types.

14.  Explain briefly, the elements of art.

15.  Explain briefly, the principles of art.


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